Bridge of Sighs is an example of Richard
Russo’s skill in taking the seemingly mundane everyday lives of Americans and
creating an engrossing, intimate portrayal of their hopes and frustrated
dreams. The story is largely based on the rather self-indulgent reflections of
Lou C Lynch, or Lucy. Reflections that appear at first completely unjustified
as he has, on the face of it, lived a relatively unextraordinary life. The
small town of Thomaston, which he brings to life with melancholic devotion,
also appears on the surface of very little interest compared to any other.
However, Russo’s magic lies in drawing you close to a world that you would
otherwise overlook, to reveal their intricacies and hidden nuances; depths that
hook you in as the inhabitants play out their lives, each decorated with their
own individual tragedies.
Lucy is the exemplification of the
American dream as his family, alongside that of his supposed friend Bobby Marconi,
move up through the social strata laid bare by claustrophobic Thomaston, a town
divided into the impoverished West End, the up-and-coming East End and the
society heights of The Borough. The book opens with Lucy walking through his
hometown, where he has become a sedate well-respected big fish in a little,
polluted pond. The fact the town is poisoned by the tannery industry,
specifically run by Borough residents the Beverleys, perhaps reflects Russo’s
opinion of the poisoned-chalice offering of the American dream. That the
poisoning is permitted to happen over the course of the book illustrates the
cloying inertia of the town, unwilling to disrupt the safety of the established
order and rise up against injustices, a point that is only too well made by the
brutal beating of a young black boy while half the school looks on.
The love of the town by Lou Lynch,
despite his good nature, gradually elicits an intense frustration as his narrow
vision is exposed by the adventures and innate flare of Bobby Marconi and the
Lynch-muted under-accomplishments of his brilliant wife. Certain qualities of
Lucy are admirable, and are attributes that you wish you could see more in
people. He is kind, patient, and accepting, bearing no prejudices and treating
all those around him as equals. His family also provide a warm sanctuary in an
unforgiving world. The reader becomes well aware that the family fortunes can
easily slip in the opposite direction as the Lynch family, led by formidable
matriarch Tessa, continually fight the dragging tide that threatens to pull
them back westwards. However, Lucy’s persistence
in attaching land and people to him, together with his passivity, is intensely frustrating
at times as you yearn for certain characters, particularly the women like his
mother and Sarah, to break free and flourish sticking one finger up at
Thomaston in the process. This is indeed what Bobby Marconi does and this in my
opinion makes him the hero of the book.
At times, despite Russo’s obvious
craftsmanship, it is hard to keep involved with this slow-paced book, especially
as you may fall out of love with Lucy as his less-than-shining personality is
exposed by a story of his own telling. However, you will be left with a warm
regard for the subtle nuances of American society, of people’s psychologies in
an unforgiving world, and appreciate the danger of unquestioned, self-limiting
horizons.
By Kate Vickers